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Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
Open a larger version of the following image in a popup: A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN

A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN

A WHITE MARBLE PORTRAIT HEAD OF A YOUNG NOBLEWOMAN
ATTRIBUTED TO IGNAZIO (1724-1793) AND FILIPPO COLLINI (1737-1800)

Turin, c. 1770

Provenance: Private collection, England

POA

This bust presents stylistic similarities with the four busts representing Pomona, Ceres, a Naiad and a Nymph, by the brothers Ignazio and Flippo Collinio circa 1770 for the Savoy's family luxurious hunting lodge, the Palazzina di Caccia di Stupinigi. When comparing the busts, there's a strong resemblance in the delicate facial features that lend them a serene and graceful presence, and particularly in the lips betraying the slightest smiles. The sculptural detailing and surface texturing of the marble, which contrasts the smooth skin of her face with the undulating strands of hair resting on the shoulders, attest to both the exquisite artistry and the technical skill of the sculptor.
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